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Saturday, 14 June 2014

Weekly Review Round Up 15th June 2014

Posted on 21:46 by election
I missed writing up a review for The Fault In Our Stars when it released. I was busy writing a book in four weeks—just a little test I gave myself, which I’m happy to say I succeeded in. So its my pick of the week, even though it opened a week and half ago. It’s not just for teenagers, either. Blended, the new Adam Sandler comedy, is not the basket case reviewers are saying. If you liked Sandler’s previous films, this is more of the same. Then there is The Rover. I wish that I liked it. I hate panning Aussie films, but it was blah, really blah—and depressing. Just a reminder to see Edge of Tomorrow. It really is the pick at the moment. I haven’t been paid to say that, either.

(My movie Pick of the week)

The Fault In Our Stars ✪✪✪✪       
Opens in Australia:               5th June 2014
USA: 6th June                        UK:    19th 2014
Other Countries:                   Release Information
Perth:                                     Luna Palace Cinemas

OUR THOUGHTS
No, I haven’t read the John Green book.

“Have you read it?” That’s the first question you are asked when you say you have seen or are seeing this film. If the person asking you has read the book, the next words out of their mouth will be: “I cried all the way through,” followed by “I read it three times, four times, ten times.” Insert any number you like.

It is a young adult novel and the film is directly geared toward that audience. I expected to be unimpressed. Come on I’ve seen Love Story and the 1973 Sunshine when I was a YA, so I know how these films are formulated to tug at your heart strings with this ounce of pathos, and that drop of hope, and those strategically placed characters who will be left behind.

I’m not a teenager anymore, so you won’t get me, I thought. But this film is good, the script well constructed, and the leads are talented, so they did get me. Well done. Good to see we are moving on from vampire love triangles and children killing children in tournaments. There is hope for the future of literature and films yet.

STUDIO BLURB
Hazel and Gus are two extraordinary teenagers who share an acerbic wit, a disdain for the conventional, and a love that sweeps them - and us - on an unforgettable journey. Their relationship is all the more miraculous, given that they met and fell in love at a cancer support group. THE FAULT IN OUR STARS, based upon the number-one bestselling novel by John Green, explores the funny, thrilling and tragic business of being alive and in love.(C) Fox

The Rover ✪✪   
Opens in Australia:               12th June 2014
USA: 20th June                      UK:    15th August 2014
Other Countries:                   Release Information
Perth:                                     Luna Palace Cinemas

OUR THOUGHTS
It’s hard to believe that Director David Michod of the highly acclaimed, and rightly so, Animal Kingdom directed this film. It has a slew of gritty characters just like his previous hit. And I’ll give him kudos that he shows great skill in eliciting from his actors a depth of nuance that creates credible and terrifying characters that we truly believe are capable of the worst.

However The Rover feels more like a film he would have made in his early career. The pace goes from full-on action in the first few minutes to a dreary walk very quickly. This has all been done before in Mad Max 2 and with more money spent on the sets. I will say, though, that Guy Pearce gives a tremendous portrayal of a man determined on recovering his property at all costs. And who knew that Robert Pattinson could act? Wow. He delivers, too. Unfortunately, there is not much to deliver but a depressing and soulless imagining that fails on many levels.
P.S. I do love this poster, though. 

STUDIO BLURB
THE ROVER, David Michod's highly anticipated follow-up to ANIMAL KINGDOM, is set in a world 10 years following the collapse of society. The rule of the law has disintegrated and life is cheap. The film follows hardened loner Eric (Pearce) as he travels the desolate towns and roads of the outback. When a gang of thieves steals his car they leave behind a wounded Rey (Pattinson) in their wake. Forcing Rey to help track the gang, Eric will go to any lengths to take back the one thing that still matters to him. Michod also wrote the film based on a story he conceived with Joel Edgerton. (c) A24

Blended ✪✪✪ ½
Opens in Australia:               12thJune 2014
USA: 23rd May June 14          UK: 23rdMay 2014
Other Countries:                   Release Information

OUR THOUGHTS
You will read terrible reviews about every one of Adam Sandler’s films. He is not liked at all by the critics. I can understand why. For the most part, his films are formulaic and pretty silly. However, ever since Bridesmaids, with its edgy humor, became such a hit, all the romantic comedies these days revolve around the F-bomb, talking about sex as if you’re talking about drinking a glass of water, and copious drug-taking like it’s a common place occurrence in every home. I do enjoy these types of films. It’s comedy for grown-ups.

But what about the family films—that aren’t animated—that we used to take the kids to see? They’ve disappeared. Adam Sandler is about the only person making these family-type films, and my family, with pre-teen and an early teen, like them. I can’t take my kids to see A Million Ways To Die In The West (and it seems a lot of people didn’t take themselves either, it bombed—beyond the boundaries of bad taste, I fear). So Sandler is all that is left.

A fellow reviewer lamented on Twitter: When will Adam Sandler stop making movies? My hope is that its not until someone else starts making rom-coms minus the swearing and gratuitous sex. Don’t believe the reviews. There are some solid laughs and my whole family—who are hard to please because they’re veterans—enjoyed it a lot.

STUDIO BLURB
After a disastrous blind date, single parents Lauren and Jim agree on only one thing: they never want to see each other again. But when they each sign up separately for a fabulous family vacation with their kids, they are all stuck sharing a suite at a luxurious African safari resort for a week in "Blended," the third comedy collaboration between stars Adam Sandler and Drew Barrymore.(c) Warner Bros

What have you seen this week? Did you find our comments helpful or do you disagree? Share your thoughts with us. 


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Sunday, 8 June 2014

REVELATION PERTH INTERNATIONAL FILM FESTIVAL ANNOUNCES 2014 PROGRAM

Posted on 02:54 by election
3-13 JULY 2014
LUNA LEEDERVILLE – CINEMA PARADISO – LUNA ON SX
PERTH, WESTERN AUSTRALIA



Yesterday, I attended the launch of the Revelation Film Festival at Luna Cinemas.  We were treated to a sneak peak of a fascinating, powerful, and dramatic film from the U.K., Locke. With this quality of film, my recommendation is to not miss the festival. I'll use my favourite cliche: there is something for everyone, especially with their expanded program for this year.

After a record breaking 2013, Revelation Perth International Film Festival has announced its expanded 2014 program.

Revelation is acclaimed as Western Australia’s leading international film festival and annual screen culture event and firmly established as Australia’s filmmakers’ festival. It is dedicated to presenting independent cinema from around the globe in a context that explores film’s great traditions, its contemporary movements and its future directions.

Curated once again by Jack Sargeant, the Revelation Perth International Film Festival sees a diverse selection of films drawn from across the world. Boasting Revelation's commitment to signature works, independent cinema, genre film, world cinema, and unique breathtaking movies, this year is no exception with a program drawn from Australia, Iceland, Israel, France, Taiwan, Mexico and all points in between. Featuring award-winning movies, world, international and local premieres, new Australian works and live performances, Revelation is a celebration of the strength of all aspects of film culture.

Expanding across the city and wider community, Revelation plays a central role not just in the Perth calendar but also nationally and internationally. Featuring dedicated programs from the Iranian Film Festival, Revel8 and ScreenWest, once again Revelation will entertain and inspire audiences, while RevCon will feature some of the festival's many guests exploring key aspects of the industry at dedicated panels and workshops. Meanwhile Revelation Academic sees scholars - both those from academic institutions and independent researchers - delivering papers and exploring cinema and visual culture, in the second instalment of this critical platform that remains utterly unique to any Australian film festival.

According to Program Director, Jack Sargeant "at this point Revelation seems uniquely positioned. As a festival we have a lot of Australian premieres, whether the larger budget indie movies or low budget works – these are films that come to Perth before screening elsewhere. This year’s selection ranges from comedies to genre movies, from animations to documentaries, experimental works to cult movies to world cinema. I hope that, as ever, Revelation continues to satisfy all of those who demand something more from cinema.”

"The expanded program exhibits extraordinary diversity and is at point on reflecting the current creative mood internationally" says festival founder and Chairman Richard Sowada. “As a community we should all be proud of being part of the lives of these films as they break”.

Highlights of Revelation 2014 will also include industry guests and speakers, seminars and masterclasses; Under The Skin - a breathtaking sci-fi film featuring Scarlett Johansson; Sight/Unseen – a live musical and visual arts performance by Sonic Youth guitarist Lee Ranaldo and Leah Singer; ScreenWest’s annual showcase of emerging WA filmmaking talent in Get Your Shorts On!; the return of hugely popular Iranian Film Festival; the Revel-8 super 8 short film festival and the WA Screen Awards.

Attracting audiences of over 10,000 people annually, Revelation continues to grow and has become the “go-to” event for independent filmmakers, distributors and discerning audiences. 2014 will feature 116 films, 8 world and international premieres and 35 Australian premieres.
Revelation is proudly supported by the Australian and West Australian governments through ScreenWest, Eventscorp and Screen Australia.

The complete program is now online and tickets are on sale now from the Revelation website at www.revelationfilmfest.org




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Thursday, 5 June 2014

Edge of Tomorrow ✪✪✪✪½

Posted on 20:47 by election
Watch. Enjoy. Repeat.

Opens in Australia:               5TH June 2014
USA: 6th June 2014                UK: 30thMay 2014
Other Countries:                   Release Information



Science Fiction films have been a real disappointment over the past few years. The trailers look so good, and we can’t wait, and then we sit there in the cinema really excited, thinking this is going to be fun, oh please take me where I haven’t been before. Repeatedly the film is a big fail, clichéd, and dull, even when they star A-listers like Johnny Depp, Will Smith, Jamie Foxx, and Matt Damon.

Then along comes Tom Cruise’s Edge of Tomorrow, and we’re not expecting much. The poster is schlock; it’s Tom Cruise (although I don’t dislike him, like everyone else seems to); Emily Blunt as a kick-ass soldier (what?), and it dives into the genre of “time slip” that is difficult to make work. It shouldn’t be amazingly good. But it is.

Edge of Tomorrow is one of the best sci-fi films in the past few years, and a lot of it has to do with a snappy script, thoughtful casting, and director Doug Liman’s (The Bourne Ultimatum) ability to balance character development, humor, and action.

Earth is losing the war against an alien invasion and Cage (Tom Cruise), a cowardly officer, finds himself at the front-line in a full-metal fighting suit that he doesn’t know how to use. Within minutes he dies on the beach battlefield and finds himself reset, back to the beginning of the day. Several more deaths, and he comes into contact with Rita (Emily Blunt), a tough as nails heroine with the nickname 'Heavy Metal Bitch.' She tells him, “Come back and find me, when you wake up.” That he does, and learns why he is continually repeating the day, and how he is the only one who can win the war for humanity.

It’s big. It’s daring. It’s a popcorn film that pays out with buckets of humor, excitement, and a clever angle on the well-tread time slip trope. Tom Cruise plays his role with wit and depth, and cross-cast Emily Blunt is his perfect match. Even though the story is about repeating a day, it doesn’t become, well… repetitive. The film is based on Hiroshi Sakurazaka’s 2004 book, All You Need Is Kill. It’s success proves that all you need for an enjoyable film is a good script, good casting, and good direction. Can Hollywood please take notice, and try just repeating this formula.


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Posted in 4 Star, Sci-Fi, Thriller | No comments

Sunday, 1 June 2014

Weekly Review Round Up 1st June 2014

Posted on 00:41 by election
THIS WEEK'S PREVIEWS

This week we have a gross out film, courtesy of Seth McFarlane. Disney unleashes the dark fairytale Maleficent, and for those who love art house, quirky films The Double is your film and my pick of the week.

(My movie Pick of the week)

The Double ✪✪✪✪  

Opens in Australia:               29thMay 2014
USA: 15th May 14 (festivals) UK: 4thApril 2014
Other Countries:                   Release Information
Perth:                                   Luna Palace Cinemas

OUR THOUGHTS
This is a great example of an art house film that works. When I say art house, I mean it’s not a blockbuster by a big studio, but a small film with a small budget but filled with big ideas. Jesse Eisenberg and Mia Wasikowska are such extraordinary talents that if they walked back and forth across a screen for an hour I would probably still enjoy watching.
In The Double, you are drawn into more than a film, but the mood of insanity and hopelessness. These are not wonderful places to visit, but the screenplay is so clever and the direction so deft that I’m happy to go there. It will have you thinking. There is no definitive answer at the end, but it’s not a film you will forget in a hurry. It’s interesting that the film is adapted from a book by Fyodor Dostoevsky, a Russian author who died in 1881. It makes me grateful that I live in Australia in this lifetime. The world of The Double is a fascinating place to visit for two hours, but you wouldn’t want to live there.

STUDIO BLURB
Eisenberg plays Simon, a timid, isolated man who's overlooked at work, scorned by his mother, and ignored by the woman of his dreams (Wasikowska). The arrival of a new co-worker, James (also played by Eisenberg), serves to upset the balance. James is both Simon's exact physical double and his opposite - confident, charismatic and good with women. To Simon's horror, James slowly starts taking over his life. (c) Magnolia

A Million Ways To Die In The West ✪✪✪

Opens in Australia:               29th May 2014
USA: 30th May June 14          UK: 30thMay 2014
Other Countries:                   Release Information

OUR THOUGHTS
After getting off to a shaky start that elicited more groans than laughs from the audience and this reviewer, A Million Ways To Die In The West’s comedy finally arrives via some quite funny slapstick.
Nothing is sacred in this film, and Seth MacFarlane doesn’t hold back from anything that may offend, bouncing from sexual jokes to racial slurs to scenes with penises and graphic descriptions of vaginas. There are moments of hilarity along with several priceless cameos—including one that had the audience applauding.
It could have been a lot funnier if they hadn’t been going for total gross-out. I liked it a lot better than Ted, which I didn’t find funny at all, so I’m not certain if that is great praise. If you did find Ted funny, then you will certainly enjoy this. If you have to choose between Bad Neighbours and dying in The West, I would visit with the Neighbours.

STUDIO BLURB
Seth MacFarlane directs, produces, co-writes and plays the role of the cowardly sheep farmer Albert in A Million Ways to Die in the West. After Albert backs out of a gunfight, his fickle girlfriend leaves him for another man. When a mysterious and beautiful woman rides into town, she helps him find his courage and they begin to fall in love. But when her husband, a notorious outlaw, arrives seeking revenge, the farmer must put his newfound courage to the test. Starring alongside MacFarlane are Oscar (R) winner Charlize Theron, Liam Neeson, Amanda Seyfried, Giovanni Ribisi, Sarah Silverman and Neil Patrick Harris. MacFarlane reunites many of the filmmakers behind Universal and MRC's hit film Ted including Scott Stuber (Bluegrass Films) and Jason Clark who produce, and Wellesley Wild and Alec Sulkin who co-wrote the script. (c)Universal

Maleficent ✪✪✪½    

Opens in Australia:               29th May 2014
USA: 30th May 2014               UK: 28thMay 2014
Other Countries:                   Release Information

OUR THOUGHTS
This film is very dark, not only in colour palette, but also in its theme. Angeline Jolie is beautifully made-up, cheek prosthetics and all, and she really pulls off a great English accent. In fact, she is quite mesmerising to watch. The antagonist, her childhood friend who grows up to become Maleficent’s enemy, on the other hand is woefully miscast, which spoiled it a little for me. However, the special effects are extraordinary, and the twist on the fairy tale of Sleeping Beauty is kind of cool. It’s definitely much better than Oz The Great and Powerful, but I wouldn’t take little ones to see this. There will be very little sleeping that night if you do.

STUDIO BLURB
"Maleficent" explores the untold story of Disney's most iconic villain from the classic "Sleeping Beauty" and the elements of her betrayal that ultimately turn her pure heart to stone. Driven by revenge and a fierce desire to protect the moors over which she presides, Maleficent cruelly places an irrevocable curse upon the human king's newborn infant Aurora. As the child grows, Aurora is caught in the middle of the seething conflict between the forest kingdom she has grown to love and the human kingdom that holds her legacy. Maleficent realizes that Aurora may hold the key to peace in the land and is forced to take drastic actions that will change both worlds forever. (c) Walt Disney Pictures


What have you seen this week? Did you find our comments helpful or do you disagree? Share your thoughts with us.
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Saturday, 24 May 2014

Weekly Film Review Round Up 24th May 2014

Posted on 03:29 by election
For the first time I really enjoyed an X-Men film, and it wasn’t just due to Hugh Jackman’s nude scene. I also urge to you to go out and see a small Australian film, The Babadook. It's one of the best horror films you will see this year. Warning: Don’t take the kids if you want them to continue to go to bed with the light turned off. Releasing next week is The Trip to Italy, which is more of the same as the first one if you caught that. Though, it sure does make me want to get on a plane for Italy. Until next week… Ciao!

(My movie Pick of the week)

The Babadook ✪✪✪✪½

Opens in Australia:      22nd May 2014
USA: 6th June 14    UK: 24th October 2014
Other Countries:          Release Information
Perth:                          Luna Palace Cinemas

OUR THOUGHTS
This horror or, depending on your take of it, psychological thriller is creepy… very creepy. Its an extremely well executed story that is a patchwork of Hitchcock inspired scenes, striking visuals inspired from The Ring, and anticipatory set-ups reminiscent of Paranormal. Horror usually suffers from feeling too derivative of horror films watched in our teenage years.

The Babadookprobably shouldn’t have worked. Somehow, though, it manages to skilfully pull everything together, in no small part due to the assistance of some compelling, raw performances from the two leads: Essie Davis as single mother Naomi and six-year-old Noah Wiseman playing her son Oskar. Wiseman gives an extremely nuanced, authentic performance of a troubled boy attempting to deal with a mother who is becoming unhinged.

Naomi is still mourning her husband’s death the day her son, Oskar, was born. Oskar’s behaviour is becoming increasingly worrying; he insists that Mr. Babadook, a character from a disturbing book that has just turned up in their house, wants to kill them both. Oskar’s obsession with the monster causes him to be expelled from school, and creates a rift between Naomi and her sister. Whether the monster is real or part of Oskar’s and his mother’s imagination is the heart of the story.

First time feature Director, Jennifer Kent, also penned the script, and she’s pulled of a great feat, creating a well-paced storyline, immersive visuals, and eliciting confident, stylish performances from her small and mostly unknown cast.

A good horror thriller is a rarity; a director who knows how to create the immersive feel required to soar above cliché into unsettling thrills, even more rare. We may not want The Babadook under our bed, but we certainly want more films like this on our cinema screens.

STUDIO BLURB
A single mother, plagued by the violent death of her husband, battles with her son's fear of a monster lurking in the house, but soon discovers a sinister presence all around her.

X-Men: Days of Future Past ✪✪✪✪   

Opens in Australia:               22nd  May 2014
USA: 23rd  May 2014              UK: 22nd May 2014
Other Countries:                   Release Information

OUR THOUGHTS
Marvel releases are the best popcorn films around these days. You are guaranteed wit, action, good looking, muscle-bound superheroes and no-expense spared special effects. The one exception, for me, is the X-men series. From the very first episode, they have always managed to be just “good enough,” but not exciting. The story lines just haven’t grabbed me and they feel kind of a poor cousin to The Avengers and Spiderman.

So with a decided lack of excitement, I sat ready to be unimpressed much to the consternation of friends who are fans of the great Wolverine and his gang of straggly heroes in uncomfortable looking suits. It was quite a surprise to discover that from the opening sequence, through to the very interesting concept of Wolverine travelling back in time to work with the younger versions of Charles Xavier and Magneto, I was hooked.

James McAvoy as Xavier and Michael Fassbender as Magneto really shine. But the real show stealer is Evan Peters as Quicksilver. The scene in the kitchen where we steal a slowed-down peek of his view of the world as he moves at super-speed will probably be my favourite scene of the year.

This film feels fresh, original, and has turned a non-fan into an X-men follower. Now I am eagerly awaiting the next installment, and that surprises me.
P.S. Stay for the end credits.

STUDIO BLURB
The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-MEN: DAYS OF FUTURE PAST. The beloved characters from the original "X-Men" film trilogy join forces with their younger selves from the past, "X-Men: First Class," in order to change a major historical event and fight in an epic battle that could save our future.

The Trip to Italy ✪✪✪      

Opens in Australia:      29th May 2014
USA: 29th April 14        UK: 25th April 2014
Other Countries:          Release Information
Perth:                            Luna Palace Cinemas

OUR THOUGHTS
The hubby and I enjoyed the first one of these, The Trip. This one is more of the same, although I do think its too much more of the same. There’s also an odd storyline thrown in, among what is improvised comedic scatting, which I don’t think works very well.

Something is a little off in this one, and it’s definitely lost some of its original charm. The views of the Italian countryside are glorious, but around the half way mark, I just kept thinking that they had now overstayed their welcome and that they needed to cut their trip a little short—and I’m a big Steve Coogan fan.  If you are a huge fan of the original and are hankering for more of the same, do go along. For the rest, wait for its showing on television or catch on DVD

STUDIO BLURB
Michael Winterbottom's largely improvised 2010 film, The Trip, took comedians Steve Coogan and Rob Brydon or semifictionalized versions thereof on a restaurant tour around Northern England. In this witty and incisive follow-up, Winterbottom reunites the pair for a new culinary road trip, retracing the steps of the Romantic poets' grand tour of Italy and indulging in some sparkling banter and impersonation-offs. Rewhetting our palates from the earlier film, the characters enjoy mouthwatering meals in gorgeous settings from Liguria to Capri while riffing on subjects as varied as Batman's vocal register, the artistic merits of Jagged Little Pill, and, of course, the virtue of sequels.


What have you seen this week? Did you find our comments helpful or do you disagree? Share your thoughts with us.
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